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Five Black Utahns talk about artworks in ‘Black Refractions’ that hold personal meaning

The exhibit at the Utah Museum of Fine Arts is open until April 10.

(Marc Bernier | Photo courtesy of Kehinde Wiley, Roberts Projects, American Federation of Arts, and Utah Museum of Fine Arts) Kehinde Wiley, Conspicuous Fraud Series #1 (Eminence), 2001, oil on canvas. The Studio Museum in Harlem; Museum purchase made possible by a gift from Anne Ehrenkranz, 2002.10.14. © Kehinde Wiley.